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“It turns protests into performances. The mask is very operatic; it creates a sense of romance and drama. I mean, protesting, protest marches, they can be very demanding, very gruelling. They can be quite  dismal. They’re things that have to be done, but that doesn’t  necessarily mean that they’re tremendously enjoyable — whereas actually,  they should be.  … I think it’s appropriate that this generation of protesters have made their rebellion into something the public at large can engage with more readily than with half-hearted chants, with that traditional, downtrodden sort of British protest.”
      — Alan Moore on OWS and the Guy Fawkes mask View high resolution

“It turns protests into performances. The mask is very operatic; it creates a sense of romance and drama. I mean, protesting, protest marches, they can be very demanding, very gruelling. They can be quite dismal. They’re things that have to be done, but that doesn’t necessarily mean that they’re tremendously enjoyable — whereas actually, they should be.  … I think it’s appropriate that this generation of protesters have made their rebellion into something the public at large can engage with more readily than with half-hearted chants, with that traditional, downtrodden sort of British protest.”

      — Alan Moore on OWS and the Guy Fawkes mask

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