Halo halo

get loved

Nick Gazin:  I guess I also draw a lot of naked ladies and try to understand the nature of drawing women and how people who make art are often socially weird. Charles Schulz’s biography talked about how he would get crushes on “distant princesses.” Have you had anyone tell you they were upset that Dark Horse was representing Manara?

Diana Schutz:  Uh… no. Other than your friend who “angrily dismissed him.” Look, anyone who spends every day in a room all by himself writing and drawing Stuff That Isn’t Real is almost by definition tapped into something that the rest of us—with our mundane, workaday schedules, our grinding commutes, and our ceaseless barrage of meaningless business communications—just can’t begin to understand. Is Milo socially inept? No, he’s a fucking genius. People like him live in a different world than the rest of us.

(Robert Swanson picture via Golden Age Comic Book Stories)

Then Schulz gradually began to deepen his characters, giving them distinctively adult traits: depression, insecurity, crabbiness, fear, etc. He allowed Peanuts to get weirder as well, following Charlie Brown’s arrogant dog Snoopy into wild fantasies. Schulz made jokes about the fads of the day, and like Bushmiller, he developed a style that was deceptively simple. But what’s made Peanuts resonate with so many people over the years is how astutely—and unflinchingly—Schulz described feeling unlovable. In the strip’s ’60s and ’70s heyday, life was always like eating a peanut-butter sandwich alone on an uncomfortable school playground park bench.

Noel Murray, The Onion, 2011.09.01

cheer up keanu day

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